[by Ross Browne]
When You Find Me was, without a doubt, one of the most pleasant literary surprises I’ve had in a long time. It’s a debut novel that got a warm reception from readers and critics alike, and with good reason. It’s a Southern gothic-style thriller with an inventive […]
[by Ross Browne]
If you’ve read any of Ken Follett’s work, it probably comes as no surprise that he was able to turn his own personal fascination with cathedrals and how they’re built into a damn good novel. But from a fiction technique viewpoint, what he’s done with The Pillars of […]
[by John Robert Marlow]
Few works of fiction relate events in a continuous flow, from start to finish. Sometimes the story moves back in time (as with flashbacks); more often it jumps forward, sparing the reader the dull details of ordinary life. Frequently, the transition will take the reader from one location (and set of characters) […]
[by Whitney Bak]
When an editor takes the literary equivalent of a hedge trimmer to your bountiful, blossoming book baby, the process can feel more than a little personal. While some authors begin working with an editor in the very early stages of developing their manuscript, many don’t solicit editorial help until they’ve produced a […]
[by Sean Fletcher]
It happens more often than you think. A budding (or seasoned) writer approaches me for an edit on what they believe to be a work of middle grade, only for me to tell them that their 100,000-word fantasy about a 17-year-old discovering their identity among a totalitarian regime would fit better as a young […]
[by Ross Browne]
One piece of advice authors who write popular fiction often hear is that your odds of landing an agent and a traditional publishing deal can improve considerably when your novel is conceived as (or has the potential to work as) a series. This should come as no surprise to anyone who enjoys settling down […]
