Tips, insights, and observations from our editorial staff about the craft of writing memorable characters in popular, mainstream, and literary fiction.
How Stephen King and Alexandra Sokoloff Cultivate Willing Suspension of Disbelief in Crime Fiction Tips and techniques based on two hit novels
[by Ross Browne]
A recent article in The New Yorker defines the willing suspension of disbelief as “the reader’s decision to put the argumentative, quibbling part of his mind into neutral and go along for the narrative ride.”
Stephen King is a master at this, and I’m sure I’m not alone in admiring how easy he makes it […]