[by Ross Browne]
Anyone familiar with my taste in books probably knows how much I love John Sandford and admire his skills as a writer. One reason I like his Lucas Davenport series so much is that these deftly plotted novels usually go deep into the minds of deranged killers in seriously […]
[by Ross Browne]
Up until last week, one notable blind spot in my reading life was Ian Fleming’s James Bond series. I loved the movies of the Sean Connery and Roger Moore era but, unimpressed by a later book in the series (written by one of four authors who took the helm after Fleming […]
[by Ross Browne]
The first thing I’d put on the table in connection with how we handle very flawed manuscripts can, I hope, go without saying. And that’s that we never want to be discouraging to an author. There’s no pleasure in telling a writer that a manuscript needs deep rewriting rather than editing or that its […]
[by Ross Browne]
Flap Copy: For Louis Kincaid and his lover, female detective Joe Frye, the present and the past collide when they team up to find out what happened to Jean Brandt, who was reported missing by her husband from their Michigan farmhouse in 1981. Jean’s daughter Amy, only five at the time, has been plagued by […]
For its enduring popularity as a genre, mystery is a surprisingly tough genre to break into for new writers, and in some respects one of the hardest genres to write. This is in part due to the procedural know-how a writer must have to write convincingly about investigating […]
In an earlier post for mystery writers, I talked a little bit about the value of resisting the urge to lecture your readers on what you might have learned in the course of researching your story or what you might know from your own in-the-trenches […]
