You have a lot of hard work ahead of you. The biggest task may be getting rid of what shouldn’t be in the novel. At the top of that list would be explanations to the reader, which come in the form of interior monologue, dialogue, and narration. And very often, what’s being explained is already […]
The situation in the opening scene of this terrorist thriller could hardly be more tense, but the execution could have a much sharper impact. Your terrorist, however convincing his credentials, might as well hang a sign around his neck saying: I’m a fanatical terrorist! I belong to Al Qaeda!
He fits the stereotype perfectly, […]
Every serious fiction writer tries to create rounded, fully dimensional characters who take up space when they enter a room—characters the reader will care about. Most fiction writers call on memories of friends and strangers, as well as imagination, in selecting the combination of faults and failings that best serve the plot, then assign them […]
The first thing I want to say, because I’m going to come down hard on you in one area, is that you are a superb writer with a strong plot and a really interesting heroine.
So what’s the problem?
Motive. Why on earth does Alice, as you’ve characterized her, hang out with Preston? […]
Since the story’s success hangs, in part, on the protagonist, let’s talk about yours. Bailey has a mysterious past (which I’ll talk about more in a second), and she’s got a trauma she’s working to overcome (an arc). She has a solid foundation—as well as a great deal of unrealized potential.
She is a […]
So you’re a talented writer. Excellent!. You’re also an overwriter. Not good! You overwrite because you don’t realize how effective something you’ve just written is–and so you add to it, puff it up, emphasize it, repeat it in different words, draw it out, etc.
Overwriting undermines the effectiveness of what could otherwise be a […]