[by Gregory Collins]
The lines are blurry and the exceptions are many, but if literary writing tends to emphasize character and realism while genre writing tends to emphasize plot and tropes, then I trace my interest in literary writing to my childhood and adolescence in Kenya, east Africa. My parents—and grandparents and great grandparents—were missionaries there and […]
[by Ross Browne and John Robert Marlow]
Publishing has changed a lot in the 45 years since The Editorial Department opened its doors—and not necessarily for the better, in the eyes of many. But it’s nonetheless an exciting time to be a writer, in large part because when it comes to getting published or self published, […]
[by Ross Browne]
Joe Ide is a brilliant, critically acclaimed author. He also turns out to be a refreshingly straight shooter on what aspiring writers need to know about the business of publishing and how to maximize their chances of making a successful career out […]
[by Ross Browne]
When You Find Me was, without a doubt, one of the most pleasant literary surprises I’ve had in a long time. It’s a debut novel that got a warm reception from readers and critics alike, and with good reason. It’s a Southern gothic-style thriller with an inventive […]
[by Ross Browne]
If you’ve read any of Ken Follett’s work, it probably comes as no surprise that he was able to turn his own personal fascination with cathedrals and how they’re built into a damn good novel. But from a fiction technique viewpoint, what he’s done with The Pillars of […]
[by John Robert Marlow]
Few works of fiction relate events in a continuous flow, from start to finish. Sometimes the story moves back in time (as with flashbacks); more often it jumps forward, sparing the reader the dull details of ordinary life. Frequently, the transition will take the reader from one location (and set of characters) […]
