[by Ross Browne]
If you’re a fan of JK Rowling writing as Robert Galbraith, you’re probably well aware how much longer her latest release is than the other four books in the series.
My own first reaction to the size of the hefty tome—darn near 1,000 pages in hardcover—was mostly: Terrific! More […]
[by Ross Browne]
I’m not exaggerating when I say the discovery of Joe Ide’s IQ series made an often-awful 2020 more bearable. Wrecked is the third book in this series starring the fiercely intelligent but lonely and isolated Isaiah Quintabe (“IQ”), who on first glance might resemble a modern-day Sherlock Holmes of Long Beach. In this story, Isaiah […]
[by Ross Browne]
If there were ever a novel that writers and editors could take special pleasure in devouring like candy, The Crime Writer by Gregg Hurwitz is it. Putting aside the clever plot device that makes the book so naturally irresistible to novelists, The Crime Writer is a smartly written novel that stands out as a […]
[by Ross Browne]
A recent article in The New Yorker defines the willing suspension of disbelief as “the reader’s decision to put the argumentative, quibbling part of his mind into neutral and go along for the narrative ride.”
Stephen King is a master at this, and I’m sure I’m not alone in admiring how easy he makes it […]
[by Ross Browne with Susie Steiner]
One thing the editor in me loves about mysteries is seeing how successful authors navigate the challenge of writing entertainingly in a style of novel that’s inherently formulaic. For all its boundless appeal, mystery is a genre whose stories can be very similar in plot and structure, […]
[by Ross Browne]
Flap Copy: For Louis Kincaid and his lover, female detective Joe Frye, the present and the past collide when they team up to find out what happened to Jean Brandt, who was reported missing by her husband from their Michigan farmhouse in 1981. Jean’s daughter Amy, only five at the time, has been plagued by […]
