Monthly Special
For the month of May, 2012 we will be offering a 10% discount on all our editorial services for historical novels and historical nonfiction. More information
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| Self-Editing for Fiction Writers |
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"After I'd completed the third draft of False Accusations, I read Self-Editing for Fiction Writers and decided I needed to write yet another draft. It paid off, as Simon & Schuster signed me to a multi-book deal shortly thereafter. If you're an unpublished writer, don't hesitate—buy this book. If you're an established, published author—buy this book; it's easy to fall into the bad habits Browne and King so effectively identify. Self-Editing is, and will remain, one of my core reference titles." —Alan Jacobson, author of False Accusations and The Hunted "Years ago, Renni Browne instructed me in the art of editing, and I can imagine no better professor. Later, Raymond Carver showed me that the best writer is also the best reviser and re-writer. To have had two such teachers is a rare privilege, but for those on their own there is this book: the only practical guide to the craft of writing that is both inspiring and essential." —Gary Fisketjon, editor-at-large & vice president, Alfred A. Knopf "My students—including the published novelists—ought to read Self-Editing for Fiction Writers once a year, the Show and Tell chapter even more often."—Sol Stein, author of Stein on Writing and How to Grow a Novel "Specific, pertinent, entertaining advice from two real pros. I recommend it highly."—Lawrence Block, bestselling author |
TED Client Testimonials
"When you think you've written a most clever thing, what do you do when you're told you can make it even better? I didn't want to cut, rewrite, and revise. I didn't want to imagine up another snappy chapter ending. But I cut, and imagined, and rewrote, and cut, and revised. I even have a new document titled "Cut Chapters that Kill Me" (just because I couldn't trash them). But here's the thing: While Peter Gelfan guided me down the path to write more like a professional and introduced me to the world of solid plots, Renni Browne and Shannon Roberts' annotated editing turned me into an honest recorder of my characters' voices and behaviors. That's way better than just being a clever writer. I think that any writer who doesn't use an intelligent editor(s) won't ever know how good their work might be." Charlene Dietz Torreon, NM |




