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Newsletter & Monthly Specials

TED Client Showcase

Monthly Special

dollar_sign_2 For the month of February, 2012 we will be offering a 10% discount on all Manuscript Evaluations. For more information, click here.

Agent Matchmaking Program Print E-mail

One thing that separates The Editorial Department from others in our field is the considerable level of support we offer our un-agented authors who seek traditional publication at the conclusion of the editorial process. The keystone of this effort is our Agent Matchmaking Program, which was launched in 1995 to help our most promising fiction and nonfiction manuscripts and book proposals find homes with agents. Since then it has evolved into something considerably more comprehensive. It's still a by-invitation-only program reserved for Editorial Department clients whose work we know well and find to be outstanding. But there's now a much wider range of help we can offer thanks to the dramatic growth in the number of agents who welcome referrals from us, and the strength of the team we have in place to get attention for the manuscripts that deserve it most.

Eligibility

As mentioned above, the Agent Matchmaking Program is only for manuscripts and book proposals we have edited and feel to be outstanding. Consideration for the program requires recommendation by one of our editors and final acceptance by program director Karinya Funsett-Topping.

Program Standards

This program is reserved for books with a good deal of conceptual curb appeal and that have something going for them that makes them stand out from others in their genre. In category fiction, this usually means a fresh, timely or highly original plot element that has some kind of "wow" factor. In literary or mainstream fiction, this usually means a book that's built around a character or an experience that seems especially meaningful or interesting and would appeal to a broad spectrum of readers. We get most excited about those novels that speak to something larger than just the characters on the page.

We welcome most categories of nonfiction as well, particularly superbly written memoirs along with business,  self-help, health and wellness, and parenting manuscripts and proposals.

Agents & Agencies

Please note that these are just some of the literary agents who are representing or have represented our clients. An asterisk next to the agent's name means the offer for representation came about directly through the channel of our Agent Matchmaking Program.

  • Richard Abate, then with International Creative Management (ICM) *
  • Carole Abel, Carole Abel Literary Agency
  • Kathleen Anderson, Anderson Grinberg Literary Management
  • Loretta Barrett, Loretta Barrett Books
  • Mel Berger, William Morris Agency/ Endeavor *
  • Jamie Brenner, Artists & Artisans
  • Phillipa Brophey, Sterling Lord Literistic
  • William Clark, WM Clark Literary Agency *
  • Nicholas Croce, The Croce Agency *
  • Claudia Cross, Sterling Lord Literistic *
  • Joni Evans, William Morris Agency *
  • Jane Gelfman, Gelfman Scheider Literary Agency, Inc.
  • Mollie Glick, then with the Jean V. Naggar Agency *
  • Anna Ghosh, then with Scovil Chichak Galen Literary Agency
  • Owen Laster, then with the William Morris Agency *
  • Donald Maass, Donald Maass Literary Agency *
  • John Hawkins, John Hawkins & Associates *
  • Jonathan Lazear, Lazear Agency Inc.
  • Denise Marcil, Denise Marcil Literary Agency *
  • Alice Martell, The Martell Agency
  • Jillian Manus, Manus & Associates
  • Mark McVeigh, The McVeigh Agency
  • Jean Naggar, Jean V. Naggar Agency
  • Roberta Pryor, Roberta Pryor Inc.
  • Theron Raines, Raines & Raines Literary Agency
  • Stephanie Kip Rotsan, Levine-Greenberg Literary Agency
  • Bob Silverstein, Quicksilver Books
  • Amy Tipton, The Peter Rubie Literary Agency
  • Steve Troha, Folio Literary Management
  • Frank Weimann, The Literary Group International *
  • Gene Winick, McIntosh & Otis *
  • Andrew Zack, Andrew Zack Literary Agency *

Costs

We charge $1.00 per page for review of a completed manuscript to determine program eligibility and a nominal fee for printing/shipping (for short works and proposals under 12,500 words, there is instead a flat fee of $75) and $35 per hour for research, outreach, and clerical services.  Shipping, printing, postage, and courier charges for agent submissions are reimbursed at cost.

For more information, please contact Ross Browne at the Tucson office.

 

TED Client Testimonials

"When you think you've written a most clever thing, what do you do when you're told you can make it even better? I didn't want to cut, rewrite, and revise. I didn't want to imagine up another snappy chapter ending. But I cut, and imagined, and rewrote, and cut, and revised. I even have a new document titled "Cut Chapters that Kill Me" (just because I couldn't trash them). But here's the thing: While Peter Gelfan guided me down the path to write more like a professional and introduced me to the world of solid plots, Renni Browne and Shannon Roberts' annotated editing turned me into an honest recorder of my characters' voices and behaviors. That's way better than just being a clever writer. I think that any writer who doesn't use an intelligent editor(s) won't ever know how good their work might be."

Charlene Dietz

Torreon, NM


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