Jen Howard was born in Escanaba, Michigan, and pursued a PhD in literature with a focus on literary criticism before shifting gears and setting her sights on a career as a writer, writing teacher, and editor. With an MA in English and an MFA in Fiction Writing, she teaches creative writing (both fiction and nonfiction) at Northern Michigan University. She is the editor-in-chief of Passages North, and her own stories and essays have been published in Crab Orchard Review, Blue Mesa Review, Redivider, Sycamore Review, Smokelong Quarterly, Southeast Review, Quarterly Review, wigleaf, Literary M...

TED's Director of Development John Robert Marlow is an award-winning novelist, screenwriter, and adaptation consultant whose nonfiction articles have appeared in the Novel and Short Story Writer's Market and the Screenwriter's and Playwright's Market (both published by Writer's Digest Books), The Writer, Writers' Journal, Backspace, Women On Writing, Writer's World, Urban Muse, Fellow Script, Parade, and numerous other print and online publications. His first novel, Nano, was immediately recognized as cinematic ("Marlow's debut is a real page-turner"—Kirkus Reviews; "Reads like a big...

Kate Joy Steele joined TED in the spring of 2008.  Kate has been researching, writing, ghostwriting, and teaching in business and professional settings since 1979 and has, in that time, translated innumerable pages of corporate-speak to cogent English and written "how-to" manuals on a number of business and academic subjects. Along with being our go-to consultant on business and academic books of all descriptions, she is also a skilled proofreader and copyeditor who has helped bring a number of TED authors to print readiness. Kate is a native of Oklahoma and now resides in the Pacifi...

Peter Gelfan has been editing and ghostwriting both fiction and nonfiction for the past 17 years. His clients range from beginners to published and bestselling authors and celebrities. He also edits screenplays and has sold two he wrote under his own name, one of which was produced and recently released in France. While experienced in most every genre from crime through mainstream to literary, he specializes in analyzing and strengthening underlying structure—plot, character, and scenes in fiction, and organization and argument in nonfiction. Peter has published a feature-length article...